Archive for the horror fiction Category

The blood runs FREE – the final stages

Posted in a policeman's lot, classic horror, classic horror campaign, george romero, horror fiction, horror magazines, HORROR MOVIES, horror novels, HORROR WRITERS, the dead walked, the rhondda ripper, the undead, the walking dead, thrilles, vincent stark, walkers walkers everywhere, WALKING DEAD, wild bill williams, zombies on 05/12/2012 by vincentstark

We’re on the final stages of the free eBook promotion – Indeed Arkansas Smith II, has now reverted to the usual price but there’s still time  to grab free downloads of The Dead Walked and The Rhondda Ripper. So if you haven’t secured your free copies then do so now.

The aim of this promotion was to kick start the books in the increasingly competitive Amazon market place and I do hope that those who downloaded free books will eventually leave reviews on Amazon, and that all those who downloaded the first part of The Dead Walked trilogy will be back for the second book in the series later this summer.

And please, all my Blogging buddies, publicize this offer on your blogs, websites etc. Let’s make these final two days go with a rush of downloads.

Sill available for free:
The Dead Walked Book One by Vincent Stark

The Rhondda Ripper by Gary M. Dobbs

THE RHONDDA RIPPER: The story begins slowly, a man’s morning routine as he gets ready for duty and faces the possibility of a busy day, but he has no idea how “busy” it’s going to get! Throw in Buffalo Bill, a Wild West show, murders that may or may not be connected to Jack The Ripper, and you have a really hot read. I don’t want to say too much for fear of giving something away, but it’s a well-written yarn and you will get hooked right away. It’s also, for me, a nice change of pace from the modern urban hard-boiled junk I’ve been digesting lately. Brian Drake

THE DEAD WALKED – Vincent Stark, otherwise known as Gary Dobbs, presents a new look at the zombie story. A group of people trying to survive in a world gone nuts. Sound familiar. Of course.But Stark has injected his own elements into the story. A pregnant woman and a plot thread I’ve not seen in a zombie story before. The ending threw a twist in and sets up the next part of the story, coming soon.

Zombie stories are not a type I read a lot of, but I’ve come to expect good stuff from Stark/Dobbs/Martin, whatever genre he writes in.I read this one straight through while drinking coffee early this morning.Recommended.  George R. Johnson

A Golden Age for Horror

Posted in horror, horror comics, horror fiction, horror magazines, HORROR MOVIES, horror novels, horror short stories, HORROR WRITERS on 12/12/2011 by vincentstark

Horror tends to thrive during times of crisis, offering catharsis, escapism and a metaphoric means of coping with problems that seem unsolvable.

Historically this has always been the case. It certainly was true during the Great Depression, when Universal Pictures was rescued from bankruptcy by its golden age of horror film – Dracula, Frankenstein , The Invisible Man , the Creature from the Black Lagoon  and all the other creepy creatures that lit up the silver screen, offering escapism to cash strapped moviegoers. Right across the spectrum of modern media horror is booming – take the two biggest successes in popular literature over recent years – Harry Potter and Twilight and whilst neither are strictly horror they both use many of the conventions of the genre. TV shows like The Walking Dead and American Horror are massively popular, and of course HBO’s True Blood is still holding its own. The horror novel is most certainly on a high. There are some great writers out there from the well know masters such as Stephen King, Clive Barker, Jack Ketchum and others to relatively new names like Christopher Ransom, Joe Hill, Max Brook and (dare, I say it) Vincent Stark. The latter of course is wishful thinking since his debut horror novel, following a string of bestselling westerns,  isn’t due out till the end of the month and he is me

So why is it that during shitty times we turn to the dark side? Maybe it’s the increasingly polarized political landscape, generating so much us against them rhetoric. Perhaps it has something to do with all the  college students’ fears of  being unable to find work or middle-aged parents’ worries about keeping their homes. Then again maybe its something to do with the fact that we, in Britain at least, have the Dark Party in government. Or maybe it’s just the fact that we, viewers,readers, like the safe scares that films and books provide. And whilst it is true that thought-provoking horror works are few and far between recent years have seen several horror novels of real depth – Låt den rätte komma by  John Ajvude Lindqvist , known by its Anglo title of Let the Right One In (I’ve not enjoyed a novel as much as this is years)is a masterpiece of literature whatever the genre, and Christopher Ransom has taken age old themes and twisted them through modern sensibilities. Both of these writers need to be read by anyone interested in the horror genre.   And it’s the same with film and TV and for every predictable slasher of the week flick you will find films and programs of true worth. Horror as a genre is changing, mutating and it is at last gaining some of the acclaim that has been denied it through snobbery for far too long. Stephen King is no longer considered a hack writer and real critics are dissecting his work  and finding relevance to the society we live in – something  all great writing mirrors.   And this is a good thing because for too long horror has been consigned to the ghetto and looked down upon with disdain and yet TV shows like American Horror Story, Being Human, The Walking Dead and True Blood are popular with mainstream audiences, horror novels are read by millions and fright films are always popular.

Yep this truly is a golden age for horror – and ain’t that just fine and dandy!

The eGolden Age and the flesh eating bastards

Posted in horror fiction, HORROR MOVIES, horror novels, HORROR WRITERS, the dead walked, tony masero, vincent stark, WALKING DEAD, zombies on 12/01/2011 by vincentstark

These days they would be called novellas but back in the day they were most certainly novels …and you know what, I miss them!

What am I talking about? Well the genre paperbacks that used to line shelves in bookshops everywhere. Most of these books were around 125 – 175 pages and offered quick but satisfying reads, works from authors such as Guy N. Smith, James Herbert, Gary Brander and others of that ilk. Now these days these slim volumes would be categorized as novellas but even although the page count was low, the stories were most certainly big. The plots were perfectly contained with no wasted words, and no skippages  padding. I know a lot of novels that could do with that treatment – in my opinion the novella is the perfect form for a horror story and far too many otherwise good books have been padded out to the point of skippages in  order to confirm to an industry need for 500 page plus tomes.

I’ve got news  for you folks – these days Stephen King’s Carrie would be considered a novella, as would James Herbert’s Rats and I could go on and on and…

It’s not only me who misses the golden days of paperback fiction – there’s even a magazine devoted to the subject that I would recommend to anyone. Paperback Fanatic is an excellent publication that features intelligently, well researched articles on the subject of genre paperbacks.

But I’m going off the point here.

And this brings us to my trilogy of novels that go under the collective title of, The Dead Walked – as soon as I had the idea for the series I knew the novella was the perfect format even if the story itself is huge in scope – over the three books we will travel from the everyday to Necropolis itself. The first volume was originally due this October but the first volume had to be called back at the eleventh hour for a major re-write since it contradicted events when the third book in the trilogy went off in a different direction than I had initially envisioned.  Characters can be rowdy and stubborn and sometimes the author has no choice but to let them go their own way. The manuscript is going through the editing process now and I should have a firm publication date very soon – better delay than error I say. And of course there is the point that after three bestselling traditionally published westerns and a historical crime novel,  I wanted my self published debut to be up to standards – there’s a lot of swill out there in self publishing land, and I don’t want my readers to wade through any from  my pen. Kitchensinkpublications is the name of the company I have set up to publish my Vincent Stark books and if they are a success then I plan to publish other authors and built up a vibrant list of titles.

So I hope you’ll all come along for the ride when volume one – Outbreak is published later this month. If you do I know you’ll enjoy it enough to be waiting eagerly for the second and third volumes. It’s the story of a zombie apocalypse like no other, for when the necromancer sings the dead shall walk. I’ve not skimped on the covers either and have hired legendary artist, Tony Masero to provide the artwork for each volume. You can see the stunning painting for volume one and I’ve already seen a rough sketch of the artwork for the second volume and it’s one sexy mother. I hope the storytelling within do justice to the stunning cover art – HOPE…scrub that, I know it will.

So get ready for an announcement soon – the eBook will be available in all formats and on sale everywhere and although I don’t have the confirmed price yet, I can say that it will be comparable to the paperbacks of years gone by.

September was her favourite time of the year, and late September, when the autumn was just preparing to hand over to winter, when there was still a residue of the late summer warmth in the air, as well as the crisp promise of the iciness to come, had always been, as far as Missy was concerned, the finest chunk of that particular month.

Not for her was the spectacle of high summer, nor the morose beauty of mid winter. Of course they both had their fineries but these paled next to the season when the leaves glittered with reflected sunlight. It was the autumn, with September being the highlight of that season, which she loved – a time when nature put on its finest display as the lush summer growth was magically transformed as if by a sepia wand spewing gold dust into the air.

The sky itself seemed to glow at this time of year.

            September was a time of promise.

            A time of rebirth.

            Not this September, though.

            This September, Missy would remember as, the time the dead walked.

Guy N Smith convention 2011

Posted in conventions, guy n smith, horror fiction on 09/02/2011 by vincentstark

This Sunday we will be attending the annual convention devoted to horror legend, Guy N Smith and the full event will be covered for readers of this blog. We are also hoping to corner Guy with a microphone, and then use the interview  for the first in the Scary Motherfucker podcasts – of which, we’ll be telling you about later.

 

Make sure you visit next week for a full report of the convention.

Modern classics – Haunted by James Herbert

Posted in haunted, horror fiction, james herbert on 08/25/2011 by vincentstark

What’s happened to James Herbert? His long-awaited new book, Ash was originally due this March but is now listed on Amazon as coming this October. And it is strange indeed for such a high-profile author to have so small a presence on the web – there’s plenty of fan sites, but for the life of me I’m unable to find an official site. And several sites are even listing the new book, Ash as not coming until May 2012.

 

What we do know about the new book is that it is another story centered on David Ash, the paranormal investigator who was first encountered by eager horror fans in Herbert’s 1988 novel, Haunted. And Haunted travelled a road to publication that was every bit as rocky as that which Ash now seems to be upon. It started off as a script for a two-hour TV movie that Herbert had been asked to pen by the BBC, but the commissioning producer Jonathan Powell was moved into a different department and his replacement cancelled the project, leaving Herbert with a complete script with little hope of it entering production.

 

Herbert opted to turn the script into a novel and the result was this volume. Reading the story one can detect its origins as a film script, since scenes are jumped to and from quickly, something we’re used to with films and TV but not so much with a book. Characterisation also seems far thinner sketched than with most of the author’s other works from this period, but on times this works in the favour of the story. The character of David Ash is not a million miles from the character of Bishop in Herbert’s earlier novel, The Dark.

 

The plot sees David Ash sent to investigate the strange happenings as Ebrook Mansion, the home of the odd Merriell family. The locations are kept to a minimum, again betraying the stories origin as a script, but this works in the book’s favour, creating a claustrophobic atmosphere – something always suited to ghosts stories.

 

It’s not Herbert’s best work, but it still reads well today and it a worthwhile reread to get readers in the mood for Ash later this year, or early next year or whenever it finally sees print.

 

Come on Jimmie – get a move on.

 

Haunted is far from Herbert’s best, but it still holds up well.

Confessions of a horror fan

Posted in horror comics, horror fiction, horror magazines, HORROR MOVIES on 08/18/2011 by vincentstark

For a period in my early Twenties I was a horror nut – my viewing and reading had to be in the scary genre, I voraciously read the works of Stephen King, James Herbert, Clive Barker, Guy N. Smith, Shaun Hutson, I became friends with horror author, Steve Harris after interviewing him for a magazine, I would stay up until stupid-O’clock if anything even vaguely horror related was on the TV. For several years back then I used to write for magazines like Samhain, Skeleton Crew, Interzone, Peeping Tom and even selling a spooky little story to the radio. Alas, this one was never broadcast and seemed to vanish with the change of producers. I wrote many stories for the small press horror mags, all the while wishing I could be as prolific as D. F. Lewis who seemed to pop up everywhere – anyone remember him?

There was a great magazine out called Fear and I never missed an issue – it was published by Newsfield Publications who were big in the computer gaming magazine market. The magazine was edited by John Gilbert, a huge and knowledgeable horror fan, and featured as much coverage of books as it did of films. For a genre magazine it was very intelligent and I was gutted when it eventually folded.

It was this magazine that encouraged me to try the old masters – Poe, Lovecraft and co. And although I moved onto other genres I still hold a lot of these old macabre classics in high esteem. The Monkey’s Paw, for instance, I still rate as one of the best short stories I’ve ever read. And I was once so into Poe that I wrote a short story entitled, A Continuation of the facts concerning M. Valdermar.

These days the horror genre seems to be gore obsessed rather than concentrating on creating unease in the reader/viewer it goes for gross out which, in my opinion, isn’t half as effective. The big names are still out there Stephen King especially and although James Herbert is still writing I find his recent books derivative and think his last classic was the elegiac Magic Cottage.

So has the horror genre lost it’s bite?

I don’t think so – like the western, the horror genre has been pronounced dead many times but it’s still out there kicking about, refusing the remain in its mouldering grave.

The Black Cat – Poe’s classic complete

Posted in edgar allan poe, horror fiction on 07/15/2011 by vincentstark

   It’s in the public domain and so we present, in its entirety the classic Poe tale, The Black Cat

 

 

FOR the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not — and very surely do I not dream. But to-morrow I die, and to-day I would unburthen my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified — have tortured — have destroyed me. Yet I will not attempt to expound them. To me, they have presented little but Horror — to many they will seem less terrible than barroques. Hereafter, perhaps, some intellect may be found which will reduce my phantasm to the common-place — some intellect more calm, more logical, and far less excitable than my own, which will perceive, in the circumstances I detail with awe, nothing more than an ordinary succession of very natural causes and effects.

From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets. With these I spent most of my time, and never was so happy as when feeding and caressing them. This peculiarity of character grew with my growth, and, in my manhood, I derived from it one of my principal sources of pleasure. To those who have cherished an affection for a faithful and sagacious dog, I need hardly be at the trouble of explaining the nature or the intensity of the gratification thus derivable. There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.

I married early, and was happy to find in my wife a disposition not uncongenial with my own. Observing my partiality for domestic pets, she lost no opportunity of procuring those of the most agreeable kind. We had birds, gold-fish, a fine dog, rabbits, a small monkey, and a cat.

This latter was a remarkably large and beautiful animal, entirely black, and sagacious to an astonishing degree. In speaking of his intelligence, my wife, who at heart was not a little tinctured with superstition, made frequent allusion to the ancient popular notion, which regarded all black cats as witches in disguise. Not that she was ever serious upon this point — and I mention the matter at all for no better reason than that it happens, just now, to be remembered.

Pluto — this was the cat’s name — was my favorite pet and playmate. I alone fed him, and he attended me wherever I went about the house. It was even with difficulty that I could prevent him from following me through the streets.

Our friendship lasted, in this manner, for several years, during which my general temperament and character — through the instrumentality of the Fiend Intemperance — had (I blush to confess it) experienced a radical alteration for the worse. I grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language to my wife. At length, I even offered her personal violence. My pets, of course, were made to feel the change in my disposition. I not only neglected, but ill-used them. For Pluto, however, I still retained sufficient regard to restrain me from maltreating him, as I made no scruple of maltreating the rabbits, the monkey, or even the dog, when by accident, or through affection, they came in my way. But my disease grew upon me — for what disease is like Alcohol ! — and at length even Pluto, who was now becoming old, and consequently somewhat peevish — even Pluto began to experience the effects of my ill temper.

One night, returning home, much intoxicated, from one of my haunts about town, I fancied that the cat avoided my presence. I seized him; when, in his fright at my violence, he inflicted a slight wound upon my hand with his teeth. The fury of a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my body; and a more than fiendish malevolence, gin-nurtured, thrilled every fibre of my frame. I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket ! I blush, I burn, I shudder, while I pen the damnable atrocity.

When reason returned with the morning — when I had slept off the fumes of the night’s debauch — I experienced a sentiment half of horror, half of remorse, for the crime of which I had been guilty; but it was, at best, a feeble and equivocal feeling, and the soul remained untouched. I again plunged into excess, and soon drowned in wine all memory of the deed.

In the meantime the cat slowly recovered. The socket of the lost eye presented, it is true, a frightful appearance, but he no longer appeared to suffer any pain. He went about the house as usual, but, as might be expected, fled in extreme terror at my approach. I had so much of my old heart left, as to be at first grieved by this evident dislike on the part of a creature which had once so loved me. But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of PERVERSENESS. Of this spirit philosophy takes no account. Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heart — one of the indivisible primary faculties, or sentiments, which give direction to the character of Man. Who has not, a hundred times, found himself committing a vile or a silly action, for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such? This spirit of perverseness, I say, came to my final overthrow. It was this unfathomable longing of the soul to vex itself — to offer violence to its own nature — to do wrong for the wrong’s sake only — that urged me to continue and finally to consummate the injury I had inflicted upon the unoffending brute. One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; — hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; — hung it because I knew that it had loved me, and because I felt it had given me no reason of offence; — hung it because I knew that in so doing I was committing a sin — a deadly sin that would so jeopardize my immortal soul as to place it — if such a thing were possible — even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.

On the night of the day on which this cruel deed was done, I was aroused from sleep by the cry of fire. The curtains of my bed were in flames. The whole house was blazing. It was with great difficulty that my wife, a servant, and myself, made our escape from the conflagration. The destruction was complete. My entire worldly wealth was swallowed up, and I resigned myself thenceforward to despair.

I am above the weakness of seeking to establish a sequence of cause and effect, between the disaster and the atrocity. But I am detailing a chain of facts — and wish not to leave even a possible link imperfect. On the day succeeding the fire, I visited the ruins. The walls, with one exception, had fallen in. This exception was found in a compartment wall, not very thick, which stood about the middle of the house, and against which had rested the head of my bed. The plastering had here, in great measure, resisted the action of the fire — a fact which I attributed to its having been recently spread. About this wall a dense crowd were collected, and many persons seemed to be examining a particular portion of it with very minute and eager attention. The words “strange!” “singular!” and other similar expressions, excited my curiosity. I approached and saw, as if graven in bas relief upon the white surface, the figure of a gigantic cat. The impression was given with an accuracy truly marvellous. There was a rope about the animal’s neck.

When I first beheld this apparition — for I could scarcely regard it as less — my wonder and my terror were extreme. But at length reflection came to my aid. The cat, I remembered, had been hung in a garden adjacent to the house. Upon the alarm of fire, this garden had been immediately filled by the crowd — by some one of whom the animal must have been cut from the tree and thrown, through an open window, into my chamber. This had probably been done with the view of arousing me from sleep. The falling of other walls had compressed the victim of my cruelty into the substance of the freshly-spread plaster; the lime of which, with the flames, and the ammonia from the carcass, had then accomplished the portraiture as I saw it.

Although I thus readily accounted to my reason, if not altogether to my conscience, for the startling fact just detailed, it did not the less fail to make a deep impression upon my fancy. For months I could not rid myself of the phantasm of the cat; and, during this period, there came back into my spirit a half-sentiment that seemed, but was not, remorse. I went so far as to regret the loss of the animal, and to look about me, among the vile haunts which I now habitually frequented, for another pet of the same species, and of somewhat similar appearance, with which to supply its place.

One night as I sat, half stupified, in a den of more than infamy, my attention was suddenly drawn to some black object, reposing upon the head of one of the immense hogsheads of Gin, or of Rum, which constituted the chief furniture of the apartment. I had been looking steadily at the top of this hogshead for some minutes, and what now caused me surprise was the fact that I had not sooner perceived the object thereupon. I approached it, and touched it with my hand. It was a black cat — a very large one — fully as large as Pluto, and closely resembling him in every respect but one. Pluto had not a white hair upon any portion of his body; but this cat had a large, although indefinite splotch of white, covering nearly the whole region of the breast.

Upon my touching him, he immediately arose, purred loudly, rubbed against my hand, and appeared delighted with my notice. This, then, was the very creature of which I was in search. I at once offered to purchase it of the landlord; but this person made no claim to it — knew nothing of it — had never seen it before.

I continued my caresses, and, when I prepared to go home, the animal evinced a disposition to accompany me. I permitted it to do so; occasionally stooping and patting it as I proceeded. When it reached the house it domesticated itself at once, and became immediately a great favorite with my wife.

For my own part, I soon found a dislike to it arising within me. This was just the reverse of what I had anticipated; but — I know not how or why it was — its evident fondness for myself rather disgusted and annoyed. By slow degrees, these feelings of disgust and annoyance rose into the bitterness of hatred. I avoided the creature; a certain sense of shame, and the remembrance of my former deed of cruelty, preventing me from physically abusing it. I did not, for some weeks, strike, or otherwise violently ill use it; but gradually — very gradually — I came to look upon it with unutterable loathing, and to flee silently from its odious presence, as from the breath of a pestilence.

What added, no doubt, to my hatred of the beast, was the discovery, on the morning after I brought it home, that, like Pluto, it also had been deprived of one of its eyes. This circumstance, however, only endeared it to my wife, who, as I have already said, possessed, in a high degree, that humanity of feeling which had once been my distinguishing trait, and the source of many of my simplest and purest pleasures.

With my aversion to this cat, however, its partiality for myself seemed to increase. It followed my footsteps with a pertinacity which it would be difficult to make the reader comprehend. Whenever I sat, it would crouch beneath my chair, or spring upon my knees, covering me with its loathsome caresses. If I arose to walk it would get between my feet and thus nearly throw me down, or, fastening its long and sharp claws in my dress, clamber, in this manner, to my breast. At such times, although I longed to destroy it with a blow, I was yet withheld from so doing, partly by a memory of my former crime, but chiefly — let me confess it at once — by absolute dread of the beast.

This dread was not exactly a dread of physical evil — and yet I should be at a loss how otherwise to define it. I am almost ashamed to own — yes, even in this felon’s cell, I am almost ashamed to own — that the terror and horror with which the animal inspired me, had been heightened by one of the merest chimæras it would be possible to conceive. My wife had called my attention, more than once, to the character of the mark of white hair, of which I have spoken, and which constituted the sole visible difference between the strange beast and the one I had destroyed. The reader will remember that this mark, although large, had been originally very indefinite; but, by slow degrees — degrees nearly imperceptible, and which for a long time my Reason struggled to reject as fanciful — it had, at length, assumed a rigorous distinctness of outline. It was now the representation of an object that I shudder to name — and for this, above all, I loathed, and dreaded, and would have rid myself of the monster had I dared — it was now, I say, the image of a hideous — of a ghastly thing — of the GALLOWS ! — oh, mournful and terrible engine of Horror and of Crime — of Agony and of Death !

And now was I indeed wretched beyond the wretchedness of mere Humanity. And a brute beast — whose fellow I had contemptuously destroyed — a brute beast to work out for me — for me a man, fashioned in the image of the High God — so much of insufferable wo! Alas! neither by day nor by night knew I the blessing of Rest any more! During the former the creature left me no moment alone; and, in the latter, I started, hourly, from dreams of unutterable fear, to find the hot breath of the thing upon my face, and its vast weight — an incarnate Night-Mare that I had no power to shake off — incumbent eternally upon my heart !

Beneath the pressure of torments such as these, the feeble remnant of the good within me succumbed. Evil thoughts became my sole intimates — the darkest and most evil of thoughts. The moodiness of my usual temper increased to hatred of all things and of all mankind; while, from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas! was the most usual and the most patient of sufferers.

One day she accompanied me, upon some household errand, into the cellar of the old building which our poverty compelled us to inhabit. The cat followed me down the steep stairs, and, nearly throwing me headlong, exasperated me to madness. Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife. Goaded, by the interference, into a rage more than demoniacal, I withdrew my arm from her grasp and buried the axe in her brain. She fell dead upon the spot, without a groan.

This hideous murder accomplished, I set myself forthwith, and with entire deliberation, to the task of concealing the body. I knew that I could not remove it from the house, either by day or by night, without the risk of being observed by the neighbors. Many projects entered my mind. At one period I thought of cutting the corpse into minute fragments, and destroying them by fire. At another, I resolved to dig a grave for it in the floor of the cellar. Again, I deliberated about casting it in the well in the yard — about packing it in a box, as if merchandize, with the usual arrangements, and so getting a porter to take it from the house. Finally I hit upon what I considered a far better expedient than either of these. I determined to wall it up in the cellar — as the monks of the middle ages are recorded to have walled up their victims.

For a purpose such as this the cellar was well adapted. Its walls were loosely constructed, and had lately been plastered throughout with a rough plaster, which the dampness of the atmosphere had prevented from hardening. Moreover, in one of the walls was a projection, caused by a false chimney, or fireplace, that had been filled up, and made to resemble the rest of the cellar. I made no doubt that I could readily displace the bricks at this point, insert the corpse, and wall the whole up as before, so that no eye could detect any thing suspicious.

And in this calculation I was not deceived. By means of a crow-bar I easily dislodged the bricks, and, having carefully deposited the body against the inner wall, I propped it in that position, while, with little trouble, I re-laid the whole structure as it originally stood. Having procured mortar, sand, and hair, with every possible precaution, I prepared a plaster which could not be distinguished from the old, and with this I very carefully went over the new brick-work. When I had finished, I felt satisfied that all was right. The wall did not present the slightest appearance of having been disturbed. The rubbish on the floor was picked up with the minutest care. I looked around triumphantly, and said to myself — “Here at least, then, my labor has not been in vain.”

My next step was to look for the beast which had been the cause of so much wretchedness; for I had, at length, firmly resolved to put it to death. Had I been able to meet with it, at the moment, there could have been no doubt of its fate; but it appeared that the crafty animal had been alarmed at the violence of my previous anger, and forebore to present itself in my present mood. It is impossible to describe, or to imagine, the deep, the blissful sense of relief which the absence of the detested creature occasioned in my bosom. It did not make its appearance during the night — and thus for one night at least, since its introduction into the house, I soundly and tranquilly slept; aye, slept even with the burden of murder upon my soul!

The second and the third day passed, and still my tormentor came not. Once again I breathed as a freeman. The monster, in terror, had fled the premises forever! I should behold it no more! My happiness was supreme! The guilt of my dark deed disturbed me but little. Some few inquiries had been made, but these had been readily answered. Even a search had been instituted — but of course nothing was to be discovered. I looked upon my future felicity as secured.

Upon the fourth day of the assassination, a party of the police came, very unexpectedly, into the house, and proceeded again to make rigorous investigation of the premises. Secure, however, in the inscrutability of my place of concealment, I felt no embarrassment whatever. The officers bade me accompany them in their search. They left no nook or corner unexplored. At length, for the third or fourth time, they descended into the cellar. I quivered not in a muscle. My heart beat calmly as that of one who slumbers in innocence. I walked the cellar from end to end. I folded my arms upon my bosom, and roamed easily to and fro. The police were thoroughly satisfied and prepared to depart. The glee at my heart was too strong to be restrained. I burned to say if but one word, by way of triumph, and to render doubly sure their assurance of my guiltlessness.

“Gentlemen,” I said at last, as the party ascended the steps, “I delight to have allayed your suspicions. I wish you all health, and a little more courtesy. By the bye, gentlemen, this — this is a very well constructed house.” (In the rabid desire to say something easily, I scarcely knew what I uttered at all.) — “I may say an excellently well constructed house. These walls — are you going, gentlemen? — these walls are solidly put together;” and here, through the mere phrenzy of bravado, I rapped heavily, with a cane which I held in my hand, upon that very portion of the brick-work behind which stood the corpse of the wife of my bosom.

But may God shield and deliver me from the fangs of the Arch-Fiend ! No sooner had the reverberation of my blows sunk into silence, than I was answered by a voice from within the tomb! — by a cry, at first muffled and broken, like the sobbing of a child, and then quickly swelling into one long, loud, and continuous scream, utterly anomalous and inhuman — a howl — a wailing shriek, half of horror and half of triumph, such as might have arisen only out of hell, conjointly from the throats of the dammed in their agony and of the demons that exult in the damnation.

Of my own thoughts it is folly to speak. Swooning, I staggered to the opposite wall. For one instant the party upon the stairs remained motionless, through extremity of terror and of awe. In the next, a dozen stout arms were toiling at the wall. It fell bodily. The corpse, already greatly decayed and clotted with gore, stood erect before the eyes of the spectators. Upon its head, with red extended mouth and solitary eye of fire, sat the hideous beast whose craft had seduced me into murder, and whose informing voice had consigned me to the hangman. I had walled the monster up within the tomb!

Ashes to ashes

Posted in horror fiction, horror novels, james herbert on 07/04/2011 by vincentstark

James Herbert will finally complete the David Ash trilogy when the long awaited new novel Ash is published next year. Ash features one of Herbert’s best-loved characters, David Ash, the sceptical paranormal detective, first encountered in The Haunted and later in The Ghosts of Sleath both No. 1 bestsellers. Ash is investigating a mysterious and secluded stately home, deep in the countryside. There have been reports from locals about strange goings on, they think it might be haunted . . . What Ash eventually discovers is truly shocking.

Prepare to be chilled to the marrow  when Ash comes out next May. Now in his 60′s Herbert has enjoyed a long reign as the undisputed king of British horror with more than 40 million copies of his books scattered in bookcases around the world.

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JAMES HERBERT AND I – when I was a teenager, it wasn’t rock stars or movie stars that had me smitten but writers and horror writers at that.  Stephen King and James Herbert were two of my favourite authors and I’d write to both of them after reading one or other of their books.

 

King never wrote back but Herbert did – every time.

I wish I still had those letters.

From our correspondence I felt that Herbert was something of a reluctant horror author, he certainly didn’t talk about the genre as much as King did, preferring instead to allow his books to speak for themselves. And indeed Herbert often outsold King on these shores.

Now unlike King, James Herbert seems to have fallen off the radar somewhat but all his books are still in print and indeed anyone who fancies a chilling read could do worse than pick up one of his books. Some of the stuff is of the pulpy creature feature variety – The Rats trilogy for one, but some of his books are beautifully written works of dark art – The Shrine deserves to be read by anyone and Fluke is a great shaggy dog story with a difference.

Back in the day Herbert’s books kept me awake at night and had me checking beneath the bed before turning out the lights – but it was a good fear, a delicious chill and anyone who has ever been thrilled by a good ghost story will know what I mean.

And if James Herbert does happen to read this – thanks for answering the letters. I’ll have to send you a western.

Literary creature features

Posted in horror fiction, horror magazines, horror novels with tags on 07/04/2011 by vincentstark

When James Herbert published The Rats in 1974 not only did he have a worldwide best-seller on his hands but he also invented a horror fiction subgenre – let’s call it Creature-thrillers as a nod to the 1950′s/1960′s Creature Feature movies.

Herbert said he thought of the story after watching Todd Browning’s Dracula on the television and being horrified by Renfield’s description of his nightmare involving hordes of rats. The author also recalled the packs of rats he had seen on London’s old bomb sites during his childhood and he brought the feelings of dread the creatures had always inspired in himself to his first novel.

“It seemed like a good idea at the time, I was as naive as that.” James Herbert, talking about writing The Rats.

The book met with a poor critical reception but the first print run sold out within three weeks and the book’s remained in print ever since. For many the book was too graphic and the overall theme too pessimistic but what Herbert did was bring a particular working class form of horror to the table and there was a theme of criticism of a government who were not doing enough for the poorer elements of society.  It’s written in a very visceral style and totally enjoyable but it’s so much more than it appears on the surface. And of course the true measure of its success is in the amount of imitations it spawned.

Herbert was very much in the right place and at the right time and almost simultaneously with The Rats, an American writer named Stephen King was getting his first taste of success with Carrie – all of a sudden the horror genre was big business. And of course The Rats was riding on this wave of  popularity – there were a slew of imitators – Maggots, Snakes, Cats, Worms, Bats, alligators, frogs and even absurdly Slugs all turned feral and went for the human population.

Guy N. Smith’s Crab series was one of the first to cash in on the success of  Herbert’s rodents with Night of the Crabs and in all he wrote six Crabs books but unlike many of the Herbert imitators these books were actually quite good in their own right. Indeed the series still has a cult following and in 2009 the first book was reissued in a deluxe hardcover edition. Guy runs his own book business, Black Hill Books and many of his titles can be bought there and it also carries an extensive range of classic paperbacks in all genres.

Smith would go on to write many more creature thrillers featuring Bats, snaked, alligators and even a variety of creatures in the vastly entertaining, The Abomination but by far his most popular series was and remains, The Crabs.

Another entertaining creature thriller was Spiders by Richard Lewis which actually spawned a sequel, The Web. I read both of these books many years ago and remember enjoying them both immensely and whilst I don’t know what I’d think of them these days I do have fond memories of them.

The reason for these animals going feral was usually some ecological disaster or scientific experiment, although there were one or two examples where the reason was supernatural but for the most part it was bizarre scientific experiments that provoked the horror. In fact, off the top of my head, I can’t really remember any of the books where the reason for the crazed creature outbreak was supernatural.

Eventually the creature thrillers fell out of favour and horror readers went for more sophisticated novels but the genre was reinvented briefly in the 90′s when Shaun Hutson wrote perhaps the most stomach churning series of all, Slugs.This time there was no holds barred and there is even a scene where a guy is sitting on the toilet and one of the killer slugs goes up his arse.

But back to the originator of this little horror sub-genre, James Herbert – there were three follow ups to The Rats. Lair was a great second story and the third book, Domain took up the story of the mutated rodents in the aftermath of a nuclear war and although this is a good premise the book was not as successful in terms of story as the previous two.  It sold by the truck-load, though.

These books made up a trilogy but there was another story with the graphic novel, The City which is again set in London after a nuclear war. Though when people talk about the Rats trilogy they mean the three novels proper with the graphic novel considered something of a companion piece.

This article gives just a taster of all the creature thrillers out there – go on give one a try but beware one thing they all share in common is their extremely graphic scenes.

A strong stomach is advised.

Jack The Ripper’s Back!!!

Posted in gary dobbs, horror fiction, jack the ripper on 06/17/2011 by vincentstark

Jack the Ripper’s Back!!!

London 1888

A string of brutal murders

A sensationalist press campaign

This sordid and brutal affair has become part of folklore, Jack the Ripper is today seen as a cross between Dr Jekyll and Dracula and the poor women who perished at the hands of the unknown killer, real flesh and blood people, have become generic prostitutes, Victorian white trash, in the mish-mash of fact and fiction. Over the years various theories have been put forward as to the identity of the killer who glides, vampiric cape aflutter, through our consciousness on a miasmal cloud – some have been plausible, others have been laughable.

Lewis Carrol and Arthur Conan Doyle are just two of the most ridiculous subjects put forward as the Ripper.

There are people who have devoted much of their lives to the study of the case – Ripperologists they call themselves and as a collective they are responsible for much of the learned and studious, as well as some of the most bizarre, books on the subject.

Jack has been claimed by the media and treated as any of the villains of Gothic literature – movies have played with the story, Jack has faced off against Sherlock Holmes and Billy the Kid as well as showing up in HBO’s excellent, much missed, Deadwood. In comic books the prototype serial killer has become something of a super hero hunting down Victorian vampires. And go into any fancy dress shop and you can get a Naughty Nurse -, er sorry, a Jack the Ripper costume. For an anonymous killer we seem to have a good idea what he looked like.

 

Currently available my debut mystery/crime novel, A Policeman’s Lot published by Solstice Publishing offers yet another take on the Ripper story. And I’m not alone – many writers have used the Ripper within their fiction.

So what is it about the Ripper that makes it okay for us to create fictions around the character?

We would never dream of writing a novel intended to entertain around the likes of Ted Bundy or Fred West, and yet is there a difference? Does the fact that the Ripper killings were never solved make it morally okay to build entertainments around what were, in reality, a brutally cruel series of killings?

I don’t know the answer to that.

These questions were very much in mind when I was writing the novel, but I did a lot of research into the crimes, read reams of documents, visited murder sites, almost broke my back carrying books from the library and spent two enjoyable days with a Ripper expert visiting what remains of the murder sites. I felt that if I was going to write this book then I needed to believe the theory the book gives to the identity of the killer and I really do.

In the novel we are introduced to Police Inspector Frank Parade – his beat is Pontypridd, a busy town in industrial South Wales that rests at the foot of both the coal rich Rhonnda and Cynon Valleys. The year is 1904 and the world famous Buffalo Bill’s Wild West Circus is in town as part of its European tour. Parade is not impressed and finds Cody a braggard. Cody for his part feels very much the same.

We mostly shoot blank rounds of course,’ Cody said, ‘and when we do use live ammunition it’s usually nothing more than buck shot. Doesn’t go too far.’
‘Of course.’
‘And we don’t usually walk around armed. After all this isn’t the Wild West now.’
‘I’m pleased to hear it,’ Parade said with a wry smile. ‘I don’t think we could cope with a gunfight on Taff Street.’

Into this mix comes a grisly series of killings that have their origin in the London Whitechapel killings of 1888. Before the book is over the identity of the killer will finally be revealed, the case solved by a Welsh Policeman and an American legend.

Jenkins didn’t know what the town was coming to – there were policemen everywhere a person turned, and now there were cowboys and Indians riding about shooting people willy-nilly. It was fast becoming the Wild West around here.

The thing I’m most proud of here is that the theory given as to the Ripper’s identity is unique, has never been put forward before and yet it’s a name that has always been known to those familiar with the case. It also makes perfect sense and fits the known facts and what’s more I don’t know where it came from. It just developed in the writing and then in the research I found some uncanny details that fitted so well. Since completing the novel I have continued with my research into the killings and I believe now, more than ever, that I may actually have something here. But then I suppose any writer, trying to pimp interest in his book, would say that but honestly I really do…

Jack the Ripper
Case Closed
A Policeman’s Lot

Available now – AMAZON, SMASHWORDS, BOOK DEPOSITORY, SOLSTICE PUBLISHING AND ANYWHERE EBOOKS ARE SOLD.

“Then the murders start up, involving a sixteen year old series of unexplained deaths. Throw in a thief, once arrested by Parade, who had threatened his life and had escaped prison by murdering a guard, a number of home break-ins, and superiors who want a fast, easy solution, and you have a fast moving novel that doesn’t let up until the end.

And what an end.” Author, Randy Johnson

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