Archive for the STEPHEN KING Category

Stephen King’s best of 2011

Posted in STEPHEN KING on 12/10/2011 by vincentstark

Stephen King’s top twenty list has become a tradition and this year the author has gone for an eclectic selection of books, movies, music and TV. The list is posted below but visit Entertainment Weekly for King’s reasons behind each selection

 

  1. Breaking Bad (television show on AMC)
  2. Margin Call (motion picture)
  3. How Do You Do–Mayer Hawthorne (music)
  4. Sons of Anarchy (television show on FX)
  5. Skippy Dies by Paul Murray (novel)
  6. Sky Full of Holes–Fountains of Wayne (music)
  7. The Debt (motion picture)
  8. Ready for Confetti–Robert Earl Keen (music)
  9. Talk, Talk by T.C. Boyle (novel)
  10. Crossers by Philip Caputo (novel)
  11. Revenge (television show on ABC)
  12. The Accident by Linwood Barclay (novel)
  13. The Tree of Life (motion picture)
  14. The Lincoln Lawyer (motion picture)  *
  15. “Get that Snitch”–Mikis Michaelidis (song from the Attack the Block soundtrack)
  16. The White Devil by Justin Evans (novel)
  17. Final Destination 5 (motion picture)
  18. The Hour (televison show on BBC America)
  19. The Walking Dead (television show on AMC)
  20. “Rumor Has It”–Adele (song from her 21 album)

Lunch at the Gotham Cafe Stephen KIng

Posted in short stories, STEPHEN KING on 12/07/2011 by vincentstark

For someone who regularly churns out door-stop novels, Stephen King is certainly  a master of the short story. In an introduction titled, Practicing the almost lost art, King speaks of his love for the short form and how certain  stories can only be told in this way and, Lunch at the Gotham Cafe is one such beast. It originally appeared in  the 1995 anthology Dark Love which was edited by Nancy A Collins, but is these days more easily obtained as one of the fourteen stories in King’s collection, Everything’ Eventual.

This particular short sharp shock tells of a man called Steve Davies who returns home from work one day to discover that his wife has left him, and the story presents us with a man who has no idea why his marriage has broken down. He tried to contact his wife who is at her mothers, but is told that she doesn’t want to speak to him. Steve quite smoking – hardly the best time to do this, he tells himself, but he does it anyway. Is the smoking the reason his marriage collapsed? Eventually Steve is contacted by his lawyer who has made plans for the two parties, plus lawyers to meet for lunch at The Gotham Cafe in order to start putting things in order. However Steve’s lawyer is unable to attend due to a family crisis but Steve’s decides to go ahead with the meeting beause…well, because he wants to see his wife whom he hasn’t so much as spoken to since she walked out on him.

Of course bedlam follows, but not in the way the reader expects and King introduces a new element into the story in the shape of a manic maitre d’,  named Guy who for some reason seems to have lost his marbles and is intent on murder – think, Basil Fawlty on steroids. King gleefully dispatches the lawyer first (something that had this reader applauding.)  before setting Guy on Steve and his estranged wife, Diane. A great action sequence that is part slasher movie, part black comedy  follows, but at the end of the story just when you think Steve will win his woman back, things take an even darker turn.

The story I guess is somewhere around six thousand words which means it can be read in less than half hour, and it really is a great piece. There just enough characterization to enable the reader to empathize with Steve and by telling the story through his eyes, and keeping Diane from us until the cafe scene she becomes the ideal woman to us. This makes the story all the more powerful and by the end the reader has experienced an emotional roller coaster ride as powerful as anything a full length novel could offer.

This is quality King.

Reread, reread…reread

Posted in STEPHEN KING on 12/04/2011 by vincentstark

Lots of writers reread their favorite books — and not just once or twice. Stephen King, who wears a T-shirt with the slogan Quot libros, quam breve tempus (“So many books, so little time”), has read “Lord of the Flies” eight or nine times, he said via e-mail, and “Lord of the Rings” three or four. King has also read Ian McEwan’s “Enduring Love” and Robert Penn Warren’s “All the King’s Men” three or four times each; James M. Cain’s “Double Indemnity” four or five times; and John D. MacDonald’s 1960 thriller “The End of the Night” some half a dozen times. Of that book, about a college dropout’s killing spree, King said: “It’s one of the greatest American novels of the 20th century. This is a novel Émile Zola would have relished.” The above comes from an interesting article at The New York Times Online which you can find HERE

11.22.63 Stephen King: Book Review

Posted in 11/22/1963, STEPHEN KING on 11/30/2011 by vincentstark

This new novel from Stephen King is another door stop of a book, but it doesn’t drag in the slightest and each of its seven hundred odd pages propels the story forward – it took me a little over a week to get through it but I found myself picking up the book whenever I got the chance and instantly I was dragged into the world of yesteryear, or Land of Ago as Jake Epping, the protagonist of this story, calls it. And that is King’s most enviable ability, the way he can grab anyone from this Land of Ahead and drag us back to the Land of Ago.

It’s a magic spell that King weaves on the reader and after only a few pages we are hooked – the story contains some of the gore so beloved of vintage King but for the most part it is suspense and character that propels this story forward.

King doesn’t waste no time in setting up the time travel premise and he hurls Jake Epping, and his readers, through the wormhole to 1958. There are some references for constant readers to King’s previous works, most notably It where characters from that novel put in an appearance and there is also the matter of a red Plymouth Fury - Christine, anyone. The main meat of this meal is our heroes attempts to stop the assassination of President Kennedy but King spends as much time in building characters as he does on the main plot, which results in a powerful and satisfying novel. We feel great anguish at the fate of certain characters in the story and experience both joy and then sadness and the love Jake finds and then loses along the way to the nailbiting showdown. And in truth this story is as much a love story as anything else – a love for both humanity and a period now lost to the history books.

The past is obdurate – it is indeed and King reminds us of this several million squillion times.

I thoroughly enjoyed this book and felt that for something so weighty it contained very little padding -it’s a full and rounded story with characters that become real to the reader which is something King has always had the ability to do. With Stephen King we don’t so much as read his book as live through it.  Quite often I find King’s endings weak but that is not the case here and the final line brings both a smile to the lips and a warm feeling to the heart.

An excellent adventure.

Altered Histories and the art of the Novella

Posted in 11/22/1963, STEPHEN KING on 11/08/2011 by vincentstark

Years ago – around the time of Tommyknockers  (1987) I stopped reading Stephen King – prior to that point I’d been a voracious fan of King’s work but Tommyknockers bored me. I did flirt with some of his later books but it wasn’t until Cell that I got back into King. I also thought last year’s collection, Full Dark, No Stars was excellent – that collection was made up of four novellas, though back in the day these stories would have qualified as novels and so I was eager for King’s new book but also a bit weary because I’d heard it was another thousand pager. The thing is that sometime around the late 1980′s publishers seemed to drop short novels from their lists as if the number of pages equated with value for money. Of course this was stupid  – a story has a natural length whether it is fifty pages of five hundred pages but the high and mighty publishing industry didn’t see it that way and the result was  that many books were padded out in order to extend a story, best told in 200 pages, into 500+ pages. And King has often been as guilty of padding out his books as anyone else, but it mustn’t be forgotten that King has written some excellent longer works – It, The Stand,  Salem’s Lot to name but a few of a long list.

“King’s next book, due out in November, will be titled 11/22/63 – the date Kennedy was shot dead while travelling in an open-topped presidential limousine in Dallas, Texas – and will feature a time-travelling Maine schoolteacher, Jake Epping, who tries to prevent the killing.” From The Guardian Newspaper.

UK version goes for photographic cover

Today I bought King’s new book 11/22/63 – priced up at £19.99 I got in in W H Smith’s for £9.99 -  part of a special offer. The books comes in at 700 plus pages and also features a tantalizingly snippet of news regarding a new Dark Tower book to be published next spring, and it’s a safe bet that readers will get a hernia lugging it around. The current wisdom is that the novella is making a comeback, but Stephen King is in a position where he doesn’t need to follow the leader and can be true to himself as an artist, can craft a story without considering market trends.

And so as I sit down to read King’s new mammoth tome, let’s hope the story warrants the length.

Halloween movies – The Mist

Posted in halloween movies, HORROR MOVIES, modern classics, STEPHEN KING, The classics, the mist on 10/22/2011 by vincentstark

There are two kinds of movies based on the works of the great Stephen King. There are those that simply suck and then there are those that are brilliant and do full justice to the author’s words – The Mist is one such excellent King movie. The movie of course was directed by Frank Darabont and it’s clear to see that he is a director who likes his actors – several of the actors appearing in this movie would go onto play main roles in the TV series, The Walking Dead.

This Mist at it’s most basic is a homage to all those 1950′s/60′s sci-fi movies but filtered through Stephen King’s fertile imagination.

What King did with his original story was to re-imagine those monster on the loose stories and give them a modern twist. What Frank Darabont has done with King’s story is film it with intelligence and a great sense of suspense, resulting in a fine horror movie. The director spends more time on creating believable characters than showing the monsters which only adds effect when the beasties are on screen, and there are such a lot of creepy-crawlie beasties on offer here. The ending, far bleaker than King’s original, is truly shocking. The first time you see this ending it leaves you stunned, which is not something you can’t honestly say about a lot of movies.

This is what horror movies should be like, and for genre that currently seems obsessed with torture porn, a movie like this is all the more refreshing. Anyone can hack off a leg or tear open a stomach, but only the best can bring truly imaginative works such as this to the page or screen.

One of the very best films based on the works of Stephen King.

Modern classics – Creepshow

Posted in creepshow, george romero, horror comics, HORROR MOVIES, modern classics, salem's lot, STEPHEN KING, Uncategorized on 10/21/2011 by vincentstark

The three men had come together to discuss the possibility of making a movie version of The Stand. Stephen King, George Romero and producer Rik Rubinstein spent several weeks during the summer of 1981 talking about the pros and cons of adapting what was, up until that time, King’s most ambitious novel. George Romero had long been eager to work with King and had narrowly missed out on directing Salem’s Lot before the studio decided to pull the plug on plans for a big screen movie and go with a television mini series instead.

The three men realised that making a movie of The Stand would prove far too expensive and after looking at several other projects, it was decided to make an all original horror story based on the comic books that had influenced the young Stephen King – the project would end up being called Creepshow.

‘King was like a big kid,’ Rik Rubinstein commented during a documentary shot to accompany the special edition DVD of the movie. The author threw himself into the production and not only starred in one of the segments, as the moronic Jordy Verrill but also roped in his son Joe King (these days known as writer, Joe Hill) to play the young boy reading the Creepshow comic in the movie’s prologue.

The movie was made up of five stories plus the prologue and epilogue – two of the stories, The Lonesome Death of Jordy Verrill and The Crate were based on King stories, while the remaining three stories were written for the movie. All of the tales had something of the flavor of the old horror comics about them which was intentional although some critics seemed to misunderstand this point and found many of the performances over the top. King’s performance ( mouth agape and bulging eyes) in the Jordy Verrill story is perfect, even if the author does these days seem embarrassed by his acting. Sure it’s comic book and OTT but then the film’s meant to be that way – a celluloid version of a comic book and on that level it succeeds fully.

Creepshow is both a horror movie and an affectionate almost loving tribute to the tacky horror comics of the 50′s and 60′s. It’s not meant to be taken seriously but to be fun and it sure enough is.

The currently available two disc special edition DVD is superb. A rich clean transfer backed up by a wealth of special features, including a fascinating making of documentary as well as a commentary by George Romero himself.

Bag of Bones trailer available online

Posted in STEPHEN KING on 10/13/2011 by vincentstark

A promo trailer for Stephen King’s Bag of Bones TV mini-series is now available to view online Here

Several years after his wife’s death, novelist Mike Noonan (Pierce Brosnan) still suffers writer’s block. A dream inspires him to return to the couple’s summer retreat in western Maine, a lakeside house called Sara Laughs. Shortly after arriving, Noonan is caught in the middle of a custody battle involving the daughter of an attractive young widow and the child’s enormously wealthy grandfather.

Starring Pierce Brosnan, who really was a better Bond than Daniel Craig, the production looks suitably lush and big budget.

1922, a murder most foul

Posted in STEPHEN KING on 08/05/2011 by vincentstark

Being the first novella in the Full Dark, No Stars anthology by Stephen King, and it’s a great story – sort of a ghost story without a ghost.  Nebraska farmer, Wilf James is haunted by the wife he killed, or then again it may just be his guilt over the said murder that is causing his sleepless nights. Either way it matters not for as soon as Wilf, along with his  son Hank, carries out the grisly deed it becomes obvious that he is doomed. Wilf sees the murder of his wife as the only way to save the farm he loves and he cajoles his young son into helping with the murder – the actual murder scene is horrific and difficult to read which is testament to the skill of the author and other than one or two gross out scenes, mostly involving rats, it is a surprisingly subtle story.

It’s told in the first person with the doomed farmer Wilf offering the narration – we see everything through his eyes and as he is dealt blow after blow, the reader shares in his slip into madness. The story runs for just over 150 pages, minuscule by King’s standards, and it is a length the author should use more often. It’s all story with no room for padding Constant King readers will know that padding  is something that often plagues some of the author’s longer works. Wilf is also a fully rounded character and although he is a bad man who deserves his ultimate fate – he did, after all cajole his young son into helping murder his wife (the boy’s mother) – but King manages to create reader sympathy and even some level of understanding for the character. It’s powerful writing and set, as it is in depression era America, it almost feels like an epic blues song. Man oh man, King can write and I think I’d go on down to the crossroads and barter my soul to be able to create characters like this.

Full Dark, No Stars, contains four novellas (the new paperback edition also contains a bonus short story) and although I’ve had the book some time I hadn’t gotten around to picking it up yet. If the other stories are as good as 1922 then this could quite easily qualify for being one of King’s best works.

Dark Tower no more

Posted in STEPHEN KING on 07/27/2011 by vincentstark

Fans of Stephen King’s Dark Tower series will be dismayed to learn that studio bosses have pulled the plug on the movie project.

Universal Pictures have decided that the cost to do the project justice was just too high in these uncertain times. The ambitious story was to be told over three movies and a TV series.

Development on the fantasy western were well advanced ; Javier Bardem  was to play gunslinger Roland Deschain, the director was Ron Howard, and  NBCUniversal also had the broadcast, cable and studio platforms to release it.

“I really can’t stop thinking about it,” Director Ron Howard recently said . “We’ve been meeting and talking and I’ve been reading and researching and just kind of living with it. I’ve been constantly going through stuff and I’ve just been re-listening to it [on audio books] on my iPod and we’ve been sending e-mails back and forth, ‘What about this approach? What do you think of this idea?’ We’re finding the shape of it. We’re moving quickly now, as quickly as we can, and I feel challenged in the most exciting ways.”

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